Interactive Environments. DESMA 256
Winter 2007
UCLA Design | Media Arts
Associate professor C.E.B. Reas (office hours TBD)
When and Where
Monday & Wednesday, MW 14:00 - 16:50
BROAD 3224C, UCLA
Concepts
This class focuses on understanding interactivity and connectivity within physical
and networked environments. We will explore these areas from both a conceptual
and material perspective. The understanding of interaction is a tacit knowledge
and we will therefore learn the most through building and testing artifacts
and spaces.
Skills
An intimate knowledge of interactivity and networking requires understanding
underlying software and hardware technologies. In this class you will develop
new skills for building interactive experiences and for creating networks. You
will have the opportunity to construct physical analog and digital devices and
to build the software that binds them. Additionally,
project documentation and promotion skills will be practiced.
Projects
There are three projects for the class: an eight-week project, a two-week project,
and an in-class artist presentation. The eight-week project is is a group project,
but each invidual is responsible to complete one component of the larger project.
A goal for this project is to develop skills and methodologies for realizing
future works. You should take this opportunity and improve your ability to realize
diverse ideas. The two-week project focuses on electronics and developing direct
human-computer interactions. The artist presentation is a 15 minute in-class
presentation that focuses on the work of an artist working within the domain
of interactive environments.
Evaluation
Feedback will be primarily qualitative but numeric scores will also be given
for all work. The numeric breakdown for your grade follows:
70 % Project 1
15 % Project 2
10% Participation (contribution & concentration during class)
5% Artists presentation
More than two absences without the Professor's prior permission will lower the
participants final grade by one unit (i.e. an A will become an B). With each
additional unexcused absence, the grade will drop an additional unit. All projects
must be completed to pass the course.
Reading
Barrgan, Hernando and Casey Reas. "Electronics" in Processing: a Programming
Handbook for Visual Designers and Artists. MIT Press, 2007.
Bourriaud, Nicolas. Relational Aesthetics. Translated by Les presses
du réel, 1998 (2002 for English translation).
Eco, Umberto. The Open Work. Translated by Anna Cancogni. Harvard University
Press, 1989.
Galloway, Alexander R. "Network" in Processing: a Programming Handbook
for Visual Designers and Artists. MIT Press, 2007.
Gere, Charlie (TBD)
McCullough, Malcolm. Digital Ground: Architecture, Pervasive Computing,
and Environmental Knowing. MIT Press, 2004.