DESMA102 Design and Computation: Introduction to Digital Image Creation and Manipulation

Professor: Machiko Kusahara
TA: Shohreh Rashtian


READER:
TABLE OF CONTENTS:

  • Computer Animation: A Whole New World.
    Rita Street. Rockport Publishers, Inc. Gloucester, MA. 1998. pp.9-24, pp.98-105

  • Digital Beauties
    Edited by Julius Wiedemann. Taschen GmbH, Koln 2001. Selected pages

  • The Art of 3-D Computer Animation and Imaging
    Second Edition. Isaac Victor Kerlow. John Wiley & Sons, Inc. NY, 2000. pp.3-40, pp.137-147.
    The very useful timelines can be also seen on the web.

  • Introduction to Computer Graphics
    Foley /Van Dam / Feiner / Hughes / Phillips, Addison-Wesley,2000. pp. 423-440

  • Re: Photography
    Florian Rotzer, from Photography after Photography: Memory and Representation in the Digital Age. G+B Arts, 1996.
    On the concept of the project, read the essay by the main author of the book Hubertus v. Amelunxen.

  • PEDRO MEYER: TRUTHS, FICTIONS, AND REASONABLE DOUBTS
    by Joan Fontcuberta, from Truths & Fictions: A Journey from Documentary to Digital Photography, Pedro Meyer, Aperture. 1995.

  • AARON’s CODE: Meta-Arts, Artificial Intelligence, and the Work of Harold Cohen
    Pamela McCorduck. W.H. Freeman and Company, NY. 1990. pp.125-129

  • Aaron’s Next Step (working title)
    Harold Cohen. Unpublished manuscript from lectures given at Sendai Mediatheque and University of Tokyo, 2001
    AARON can be downloaded for free from HERE

  • ENTER THE EXPERIMENTAL REVOLUTION: A VR PIONEER LOOKS BACK TO THE FUTURE
    Morton Heilig, from CYBERARTS: EXPLORING ART & TECHNOLOGY, Miller Freeman Inc. 1992. pp.292-305

  • ACM Transactions on Computer Graphics: Proceedings of ACM SIGGRAPH 2002. July 2002 Volume 21 No.3. Selected pages.

  • Evolution as Artist Thomas S. Ray. From ART @SCIENCE Springer Wien NewYork. 1997. pp. 81-91