DESMA 28: Introduction to Interactivity and Media Art
Fall 2004
UCLA Department of Design | Media Arts

Casey Reas (reas at ucla dot edu)
Office Hour: Wednesday 5-6pm

Sean Patrick Dockray (sean at advancedarchitecture dot org)
Office Hour: Wednesday 1-2pm

Monday & Wednesday. 14:00–16:50
Kinross South Room S122


Content:
This course is an introduction to the concept of interactivity and the field of media art. It follows the history of the computer as a medium for artistic exploration. In addition to discussing the potential and ideas related to interactivity, the class focuses on the required skills for creating interactive work and participants will work toward developing their programming skills. The concepts and skills taught in the class will enhance each participant’s ability to excel in future classes about the Internet, animation, interactive media, and game design. There are four sections of the class: Form & Motion, Form & Interaction, Image & Interaction, and Print & Interaction. Each theme is allocated two weeks of study with the first week for readings/discussions and tutorials and the second week for practicing/extending newly acquired ideas and skills. The first week of the class serves as an introduction and the last week a conclusion. A networked presentation at the end of the course will allow participants to share their work with the UCLA community.


Assignments:
There are three types of assignments for the class: exercises, projects, and readings. Exercises are short assignments exploring a specific topic. Projects are one-week explorations into one aspect of interactivity and media art. These projects combine concept and technique and will gradually increase in complexity as the quarter progresses. There will be a critique for each project, where participants will present their work and receive feedback from the professor and the class. Each participant’s thought process and visual ideas will be documented in a sketchbook and shared with the professor periodically throughout the quarter. In addition to these exercises and projects, there will be weekly reading assignments supported by discussions in class. All readings will come from the required text, The New Media Reader edited by Noah Wardrip-Fruin and Nick Montfort (MIT Press, 2003).


Evaluation:
The grading is based on the weekly exercises and projects (90%), and on the participant’s comments, feedback, and active participation during the class meetings (10%). Exercises will be evaluated based on their originality, aesthetic qualities, and conceptual sophistication. Feedback will be primarily qualitative but numeric scores will also be given for each exercise. If an exercise or project is turned in late, points will be taken off each day so that it will receive a zero if one week late. More than two absences without the Professor or TA’s prior permission will lower the participants final grade by one unit (e.g. an A will become an B). With each additional unexcused absence, the grade will drop an additional unit. All exercises must be completed to pass the course. In addition, participants must attend at least three D|MA sponsored lectures during Fall Quarter 2004.

The grade breakdown follows:
10% Participation
40% Exercises 1, 2, 3, 4 (10% each)
50% Projects 0, 1, 2, 3, 4 (10% each)